Preference Jokes / Recent Jokes

The basic training of every singer should, of course, include myriad types of practical and theoretical emphases. One important area which is often neglected, however, is the art of one-upmanship. The following rules are intended as guides to the development of habits which will promote the proper type of relationship between singer and conductor. 1. Never be satisfied with the starting pitch. If the conductor uses a pitch-pipe, make known your preference for pitches from the piano and vice-versa. 2. Complain about the temperature of the rehearsal room, the lighting, crowded space, and of a draft. It's best to do this when the conductor is under pressure. 3. Bury your head in the music just before cues. 4. Ask for a re-audition or seating change. Ask often. Give the impression you're about to quit. Let the conductor know you're there as a personal favour. 5. Loudly clear your throat during pauses (tenors are trained to do this from birth). Quiet instrumental interludes are a good more...

There was a time when I used to carefully scan matrimonial advertisements, not to look for a wife but just to find out what others were looking for in their life-partners. I gave up wasting my time on them many years ago. When I casually glance at them I am surprised to find they are dividing the categories by caste, profession and nationality. The latest categorisation has been brought to my attention by T. R. Rishi; apparently living in South Delhi has acquired status of acceptability. Three ads from The Hindustan Times state clearly "residing in South Delhi. Preference for South Delhiites." One adds a clarification "affluent South Delhi family".

The basic training of every singer should, of course, include myriad types of practical and theoretical emphases. One important area which is often neglected, however, is the art of one-upmanship. The following rules are intended as guides to the development of habits which will promote the proper type of relationship between singer and conductor.1. Never be satisfied with the starting pitch. If the conductor uses a pitch-pipe, make known your preference for pitches from the piano and vice-versa.2. Complain about the temperature of the rehearsal room, the lighting, crowded space, and of a draft. It's best to do this when the conductor is under pressure.3. Bury your head in the music just before cues.4. Ask for a re-audition or seating change. Ask often. Give the impression you're about to quit. Let the conductor know you're there as a personal favour.5. Loudly clear your throat during pauses (tenors are trained to do this from birth). Quiet instrumental interludes are a good chance to more...